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gwennie-chan

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Twitter is updating their UI (user interface) slowly and surely. The next update that is coming soon is a completely revamped profile page. (Currently you can get it, but it is opt-in, and you can opt-out if you don't like it... for now.) Eventually this will become the default, required profile page design of all of Twitter. (An example of this at 1024px wide is below.) Kinda reminds you of Facebook doesn't it?

Twitter Example 1024 by gwennie-chan

For any of you who are designers for yourself or a group with a social media presence, you know what this means: redesign time. This entails making sure your former design works for the new layout, and, if not, redoing all or part of it to make it work. Here are some helpful bits to make your life a little easier:

Profile Pictures & Icons:

(all measurements are squares)

"Recommended dimensions for profile photos are 400x400 pixels."
  • Profile Pictures: 200px or 400px from 400px file, Border Radius: 8 px
  • Notifications Page & Timeline: 48px or 73px from 73px file, Border Radius 5px
  • Followers You Know & Who To Follow: 48px from 48px file, Border Radius: 4px
  • Post Avatar: 24px or 48px from 48px file, Border Radius: 3px
  • Make sure your icon looks good at all resolutions. Border radii provided to help you know where the cutoffs are.

Header:

"Recommended dimensions for header photos are 1500x500 pixels."
Honestly, this is a very bad recommendation. Why? Twitter's responsive design. Twitter's current design scales the header image between 1024 and 1800. For those who didn't know, they scaled an image to greater than its native resolution. Scaling a big image smaller usually keeps quality, but scaling a smaller image bigger causes quality to drop like a rock. Unfortunately, twitter's system doesn't give you much choice, larger images are automatically scaled down.

My recommendation? Use 1900 x 500 for header size design. At this resolution, Twitter will just chop off 200px from each left/right end cap, but if and when it ever wises up to this crappy design fact, you'll have a resolution-ready image to use for design without having to create 200px of space on both ends. And honestly, most graphic programs allows you to export a part of project anyway to image, not just the whole thing.

Second main thing you need to take into account is the responsiveness of Twitter's design. Something viewable at higher resolution might very well disappear behind the profile image at lower resolution. Compare the two examples below, the one on the left is 1024px width, the one on the right is 1920px width.
Twitter Example 1024 by gwennie-chan Twitter Example 1920 by gwennie-chan

As such, design accordingly. Any text, logos, or other must-see content listed in the header must be visible for both resolutions.

To make it easier, I've also designed a template for the new Twitter headers in both png and svg. {Link}
(Details for using it are also at the link.)

Link Images:


If you're a person who runs a blog or website that has integration with a plugin or open graph, it's important you also make sure the images you tell twitter to use for article links are the correct size. Don't know what I'm talking about? Most major websites and blog frameworks have parts which tell them to use a specific image for either the whole website or a specific article if someone links them on twitter. (See example image below.)



Those images are always displayed at 120px squares with no border radius.

Image Tweets:


Images are another large part of Twitter, and while you can pop them open to view full size, it is also important to take into account that unopened, photos on profiles appear at 588px x 294px. Images are centered and then cut off for the image preview view.





So, I hope all of this helps all your designers who have to cope with the changes in social media sites!

:icongwennie-chan: gwennie-chan

P.s. You might notice I don't have anything for Who To Follow or Trends. I use a user stylesheet using Stylish on Firefox to remove that for myself. You can find that particular style here.
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This journal covers brony fan animations Snowdrop and Double Rainboom. If you haven't seen either yet there are a few SPOILERS! (As of a few months ago, Zachary Rich took down Double Rainboom from YouTube, as such there is no longer an official link to it, but you should be able to find mirrors to it if you search.)

Since Snowdrop aired first and is smaller, the article is formatted with a Snowdrop then Double Rainboom formatting.



:bulletblue: Snowdrop is a 15-minute piece self-touted as a "short film". It was produced by Silly Filly Studios by a crew of 24* (9 VAs, 5 Animators, 8 Artists/Vectorers, and 2 Musicians/Sound Technicians,) not including translators. It premiered on BronyState March 21st, 2013.




:bulletgreen: Double Rainboom is a 30-minute piece self-touted as the "first fan-made episode". It was produced by FlamingoRich based at the Savannah College of Art and Design with a crew of 105* (2 Directors, 40 Animators, 7 Storyboard Artists, 27 Background Artists, 10 Effects Artists, 5 Puppeteers, 4 Musicians/Sound Technicians, and 10 VAs.) It premiered on the Everfree Network March 30th, 2013.


*Listed on official release credits, crew lists, etc.


General Review & Description



Snowdrop
Snowdrop is set in the sky of Equestria with pegasus ponies during the winter season in the time period before Luna had been banished from the moon, but only just before. As such clouds, wisps, stars, and sky are very much present, as well as many blue and white tones. Ground is never shown past the opening narrated scene that merely sets the mood.

It contains all original character design for the main story, using canon characters only for only the opening scene, with exception of Princess Celestia and Princess Luna. This gave it an immediate boost in my opinion. The voice talent was superb, especially on the account of Meredith Sims on the lead role of Snowdrop and Kira Buckland (Rina-chan) as Snowdrop's mother Primrose. The background characters were also voiced well too for their brief parts.

The animation was fantastic, despite a few errors. While DHX studios makes many more errors on the official MLP:FiM, the errors in Snowdrop were more pronounced, especially if you watched it in the BronyState stream, but getting the HD version on YouTube minimized a good lot of those errors, which I believe were magnified by the lower resolution quality loss. Still most who aren't looking for errors won't notice them at all.

Music and sound, for being covered by only two people, was exceptional. It really tied the show together and brought the emotional element (the "feels") much stronger than many things I've seen. Snowdrop had some degree of scoring as well, with an official soundtrack longer than the film itself.

What set this overall was the gorgeous art behind the animation. If you notice, artists outnumber the animators; it definitely shows. A heavy degree of the artwork also was original or referenced original. Being set in the winter season, blue, white, and teal hues dominate most generally. Incorporating such similar but different colors successfully increases the rating in my opinion.

Overall it is important to realize that Snowdrop isn't a comedy or slice-of-life film, it's an emotional piece that is one part a feel-good and another part tragedy. That fusion personally found to be very powerful in the medium and story they told. Story-wise it wasn't rushed, but smooth, wonderful considering it covers a story with over 1000 years time difference in parts. In fact, getting used to the opening I found myself a little impatient as general MLP:FiM episodes come at you fast (especially concerning Season 3,) and required time to slow myself down. This is not to say that it's too slow, but in fact perfect for the story they tell, it was just a little unexpected.

Moreover, Snowdrop explores a character attribute never seen before in the MLP:FiM canon, blindness. The closest thing to it would be the cross-eyed Derpy Hooves. I only realized this halfway through and it hit me in the chest. The character of Snowdrop is so cute and well-spoken that I seemed to have overlooked the blindness. Including and pulling off just that element alone gives it a few points in the difficulty category.

Final Ratings (10 point scale):
Animation: 9 | Music: 9 |  Art: 9.5 | Voice Acting: 8.5 | Story: 7.5 | Originality: 9
Fan-Made Rating: Superb | Storytelling Difficulty: Medium-Hard | Overall Rating**: 9 of 10

Double Rainboom
Double Rainboom is set in classic Ponyville at about the canon time in history (minus Twlight's wings and royalty). The big monkey wrench in all of this that nobody saw coming was there wasn't one main setting but two. The second, subordinate setting is in the different universe of the Powerpuff Girls (Townsville).

This point makes Double Rainboom less of the over-published tagline "the first full-length fan-made episode" and more "the first full-length fan-made crossover animation". In fact, the background of some of the earlier Equestria-based scenes has hints of this impending Powerpuff transition (most specifically Twilight's imagined super-Rarity scenario, where many of the pony dresses that pop up briefly are Powerpuff characters).

The characters are not original to the film, all characters in it are canon to either MLP:FiM or Powerpuff Girls (and a brief extra at the end). However, the personalities of those already set characters were pretty well matched up. I found the best voice and demeanor for characters were Scootaloo and Pinkie Pie, voiced by Brittney Lauda (BreeFaith), and Bubbles, voiced by Eileen Montgomery (EileMonty). Overall, voice acting was doing very well all around.

The animation was very varied, not just across the crossover gap, but in type. Certain elements, such as Twilight Sparkle's scientific apparatus, are very well done and I liked them a lot. Other parts of the poses were much more diverse in type, but that led to some degradations in quality. The biggest gap is between the effects and the animation. While the rainbooms, magic, and general effects were spectacular, they often contrasted and made the baseline animation appear worse. It also appeared that they broke from show style quite often and had outlines that were thinner than should've been on the ponies.

Double Rainboom was scored and full of audio, which had extremely good quality, and was a powerhouse combination of David Larsen, Andrew Stein (Mandopony), and Robert Knorr (RobBob). Almost everything has some degree of background music in addition to the foley-type sounds. It is probably the best-done part of the film.

Art quality is hard to judge because it wasn't as much original for most of the film. Double Rainboom, being episode-like, is limited to emulating the official show style and settings, which they did to a certain degree of higher quality. Because it was emulation, Double Rainboom loses points some art points but gains a few back incorporating the crossover styles which it emulated.

One of the biggest things to note that overall Double Rainboom was thoroughly a fandom product and that's evident. An incomplete listing the fan service within the film: Derpy Hooves and the muffin at cafe scene, Scootaloo's "Adopt a Chicken" gag, Berry Punch's wine store, Doctor Whooves and Derpy, Best Pony and 20% Cooler references when Rainbow Dash bounces around town, Pinkie Pie breaking the fourth wall, Dan, EQD and welovefine billboards, background Tardis of Dr. Who fame, and numerous other animation allusions to count. Some things were in the background in good taste, such as the face on the moon. This is to be expected being a long bit, but honestly putting almost every fandom bit/gag in there doesn't count for creativity. If the agreement for permission with Hasbro didn't most likely include a non-violent clause, we probably could've expected a poster in the background advertising a rainbow factory or putting Fluttershy near or in a shed. Originally it was going to be a normal 22 minute episode, they lengthened it to the degradation of the film. Many things took way to long than they should've and many things that should've been longer were short.

Final Ratings (10 point scale):
Animation: 8 | Music: 9.5 |  Art: 7.5 | Voice Acting: 8.5 | Story: 5.5 | Originality: 5
Fan-Made Rating: Superb | Storytelling Difficulty: Moderate | Overall Rating**: 8 of 10


I'd also like to point out there is an unofficial fan-edit of Double Rainboom cutting it down from 30min to 22min traditional show style. I personally think it improves a lot of the gaps and makes it more fluid. If certain things put you off about the original cut, while this is somewhat rough, it might help your being put off.

**On this scale, which is weighted for fan-made animation, an official MLP:FiM episode would score at least a 15 and the best scoring 20+. The average MLP:FiM episode would rank 15 in animation, 14 in music, 18 in art, and 19 in voice acting.


Comparison


Since they released so close together, are virtually unique of their kind, and it might be beneficial to future animations, A compare/contrast of both Snowdrop and Double Rainboom seemed useful. While the opinions may result in controversy, they are mine alone and I ask you don't disregard my points completely just because you disagree with the conclusions.


Animation
With only 5 official animators and some help from the Series of Informal Animators, what the Snowdrop team produced was better on a quality per animator basis. In fact, compared to animation style, errors, and implementation, the Snowdrop team produced a higher quality animation. Part of this might be because a smaller team allows more direct quality control, which the large Double Rainboom team would lack.

Double Rainboom did have the advantage in types of animation. Many more different animators allowed varying styles to be incorporated, with traditional MLP:FiM style, micropony style, and Powerpuff Girls style being used. In the animation, the DRB team seemed much more interested in adding in fandom references, inside jokes, and easter eggs compared to the Snowdrop team who has very little of this going on. Then again that fits more to the comedic adrenaline style of DRB, versus the emotional, somber style of Snowdrop.

Effects-wise, Double Rainboom and Snowdrop tied. Snowdrop used not as many effects while Double Rainboom used a ton. The few Snowdrop effects were extremely nuanced and well-implemented; the vast Double Rainboom assortment included some take-your-breath-away effects such as the rainbooms, to some effects not well done like Twilight's teleportation.

Animation Conclusion: The more quality-based animation fan probably will prefer Snowdrop while the more variety-based animation fan will prefer Double Rainboom.


Music
Both Snowdrop and Double Rainboom excelled in the musical category. Snowdrop's bell, string, and piano score interwove perfectly with the wintry, emotional atmosphere. Double Rainboom's powerhouse musical crew scored it wonderfully, giving it a wide range of instruments with very nuanced control of volume, pan, and effects for every and all occasions within the film; a shot of adrenaline when needed, an emotional pang if required.

Since they were both so exceptional and purposed for different emotional ends it is hard to compare them. You can compare them however in noting that while both are fantastic, Double Rainboom does have music for almost every little thing and has a variety of sounds, while Snowdrop's score is very similar-sounding and flows into and out of itself.

Music Conclusion: Viewers wanting diverse music that is very finessed will like Double Rainboom while those looking for simpler, more emotionally moving soft music will prefer Snowdrop.


Art
Assessing art is tricky between these two. Snowdrop is almost all original art referencing the MLP:FiM style. Double Rainboom on the other side is direct setting emulation and has more individual elements to pay attention to. Based in originality, Snowdrop automatically gets huge points for that. Double Rainboom likewise gets bonus points but not for originality but for emulation of three different varieties of animation.

Just assessing art quality is difficult because of this fact but noting Double Rainboom emulates Powerpuff Girls animation style better than it emulated official MLP:FiM show style. Snowdrop's original character design put it into a whole new boundary. There are also fewer flaws in Snowdrop art than Double Rainboom art. The static posters advertising both films are wonderful, but Snowdrop's banners look like the actual in practice animation, while Double Rainboom's vary quite significantly.

Art Conclusion: Those looking for art set pretty much in Ponyville will probably prefer Double Rainboom while those wanting more original, creative (and honestly higher quality) art will probably prefer Snowdrop.


Voice Acting
Voice acting, surprisingly is easier to assess for comparison. Officially, both Snowdrop and Double Rainboom have the same number of voice actors. Considering the much more expansive universe, more characters shown, and so forth, Double Rainboom does have less voice actors per space. Basically it's not very diverse in that aspect, which is interesting considering how diverse it was in other areas. Snowdrop featured background characters talking, as well as the main and supporting characters, while Double Rainboom had none of that.

One fact I particularly liked about Snowdrop was though they weren't prominent, they did have more male voices for characters. Both films have a pro and con for their format. Snowdrop's originality allows it to create characters, so it has no objective line (besides Celestia and Luna) to measure against but also makes it have to create good characters. Likewise, Double Rainboom has a benefit and restriction being that since they are emulating existing characters, they have a successful character to base themselves off of, but the difficulty of reproducing those characters.

Voice Acting Conclusion: Those wanting the thrill of new characters will love Snowdrop while those wanting to hear their favorite existing characters will prefer Double Rainboom.

Note: Kira Buckland (Rina-chan), Meredith Sims, and Emily Koch had voice roles in both features.


Story
Overwhelming the originality of both new characters and storylines in Snowdrop is apparent. Double Rainboom really has only its storyline to draw from and not much else. The general storyline in Snowdrop can be seen as cookie cutter as Double Rainboom. Snowdrop uses the classic underdog with special ability does something awesome for everyone storyline, while Double Rainboom used the equally classic protagonist does something they're not supposed to, causes havok, ends up in trouble, and learns their lesson storyline.

To compare the two you have to use a couple perspectives. Breaking the 4th Wall is a very common fandom plotline, while power-boosting items or potions is canon MLP. This would make Double Rainboom more generic or fan-based. The idea that an individual would create the first snowflakes on the other hand is highly inventive. In fact it's almost mythology-level storyline.

Personally since hearing Twilight referring to the potion as a talent enhancer I basically knew the entire plotline, just didn't know about the brief 4th Wall excursion. Similarly, I had some concept of that after the introduction of Snowdrop (not as much, but some), yet the way the story unpacked itself was much more story-like than Double Rainboom for me. Furthermore, Snowdrop was very emotionally-involving while Double Rainboom was more light-hearted, attempted adrenaline rush.

Story Conclusion: Snowdrop is there for those who want an emotionally-demanding story with a ton of original elements you haven't seen, while Double Rainboom is there to put your favorite characters in a fandom-based, easy-going plotline.


Conclusion
Snowdrop is a  highly-engaging, emotionally-involving piece that was animated to high quality with tons of originality. It explores new areas never seen before in pony animation or the MLP canon. Highly artistic and independent, Silly Filly Studios's Snowdrop is a fantastic fan animation!

Double Rainboom is a highly-diverse, universe-bending crossover animation animated to a high quality in general but lacking focus on MLP:FiM canon show style. It has allowed many to learn how to animate, given many more the tools to animate, and provided a couple laughs and intriguing parts to it while allowing so many to contribute. Fusing elements of various animation styles, Zachary Rich's Double Rainboom is a quick whirlwind journey through a double rainboom of variety.




Now which is the best?

Honestly, that's a question only an individual viewer can decide for themselves. What is seen above is merely my perspective and opinion. If you're wondering which I thought was better, and haven't figured it out yet, I do think that Snowdrop is a genuinely better piece. You should take that into account, that as objective as i tried to be, I was slanted a little towards Snowdrop.

I recommend you watch both, and analyze it with your emotions, your eyes, and your head. If your conclusion is they're both fantastic? Great. One's better than another? Fine. They both aren't to your liking? Acceptable opinion. Just remember to at least have a reason for your opinions and have a great time keeping calm and ponying on.

:icongwennie-chan: gwennie-chan
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Hey There!


As you may or may not know, I did that huge Winsome Falls for my winter break project. Well I am proud to announce two great developments!

First - I'm going to be releasing a huge upcoming package of desktop wallpaper cutouts of different parts of the large vector. (Rendered, not cropped in PNG)

Second (and most important) - I'm releasing all of The Winsome Falls Project for free and various kinds of packages for each different kind of user!


The Winsome Falls Project by gwennie-chan

Full Package (~86MB)

(Contains all PNG renders, SVGs, and trace layers)

Hefty Package (~58MB)

(Contains all PNG renders and SVGs only)

Render Package (~41MB)

(Contains all PNG renders only)

Lean Package (~21MB)

(Contains stripped-down SVG & largest render only)

SVG Package (~16 MB)

 (Contains all SVGs only)



All of these download links are also in the description of the original Winsome Falls Project deviation.



Some important things to remember!


Vector (SVG) Was
Made With Ponyscape. by awesomeluna
And Many SVG Parts Will Only Work In It!

Renders (PNGs) & Vector Files (SVGs) are
:thumb65339072:
Attribution-Non-Commercial (BY-NC) 3.0
Yes! You Can Use Them!


So have a great time with whatever you're doing and enjoy the expanded re-release of The Winsome Falls Project! Happy Ponying!

:icongwennie-chan: gwennie-chan
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(Spoilers, Thou Hast Been Warned)




Many of you have honestly seen, by choice, curiosity, or accidental viewing, the direction the MLP:FiM storyline will take and has taken for Twilight Sparkle, or I guess now, Princess Twilight. While I don't particularly like this development (and abhor the whole plotline after The Crystal Empire), that is not my concern nor point.

Honestly it isn't her character development that annoys me, it's Hasbro's insistence on so many spoilers. Season 3 is spoilers galore, and even though they've been around before, there are so much more now. Now there's little reason for them if it's just a kids show, and they desire to keep little children interested. The basic advertisement that even mentions Twilight reaching her destiny vaguely will keep a child interested and intrigued. Releasing these spoilers has no other purpose than to pump up the adult fandom and push the latest toy series.

We already pump so much money into them. Honestly, Hasbro should be down on their knees thanking us for the profits we've given them that otherwise would've never existed. The least they could do is give a platform for the good writers they paid to tell their story without giving everyone SparkNotes before the story is even out.

Now this is not without the rumor mill, and anybody following the rumor mill, accidental distribution of Alicorn Twi things, or otherwise would have (like me) seen this coming. It's just so sad that the storyline is already out there. Part of what made Season One great is that you could watch it unmolested by spoilers, as the fandom was just beginning. It may be sad to say, but in reality Season Two of MLP:FiM will be the best overall season it will ever have. The rest of any future seasons, like currently Season 3, will be encumbered and embedded with spoilers, leaks, and general buffoonery.

When developing the show, Lauren Faust (:iconfyre-flye:) developed a show "bible" of all the characters, their characterization, portrayal, and probably development. While it may never be that we see the contents of that show bible, Faust was adamant in many interviews to keep world-building to a minimum. Yet instead of unwrapping the story with the beautiful folds of Season One and Season Two, Season Three has rammed right through that recklessly world-building, doing to-fast-to-develop plotlines, and decreasing the depth of the animated world.

What we are witnessing is mainly of our own creation, bronies. The popularity of the show has forced more eyes on it, and with that, more scrutiny. If MLP:FiM had remained a little girl's show and nothing more, the development probably would've continued in the style of Season Two. What made it great to be a fan in Season Two is that while it was focused away from us, the background was rich and there were many nods to the fandom as well as adult references hidden in the background. Season Three feels like nothing more than fan pandering.

Now part of that is only logical, not because of Hasbro but because of fans. There are only so many roads the plot could go, and eventually a speculating brony is likely to hit upon what will eventually happen. To sum that up, in Season Two the story moved us and we followed, in Season Three we moved the story and it came to us. The Alicorn Twi is probably an example of the first major thing this season where the story is forcing us in a direction. In some ways this is a good sign, the story is once again moving us instead of we moving the story.

On a more positive note, there have been amazing things in Season Three as well. The artistic quality of The Crystal Empire, Wonderbolt Academy, and Sleepless in Ponyville was phenomenal in background, conception, and style. In fact, that's why I vectored out Winsome Falls. Because it's so beautiful. The animators are getting very good at what they do despite actually using less background. And while there is less music in such a shorter season, the Crystal Empire songs, Babs Seed, and Raise This Barn are decent songs. I'm sure the music for the Alicorn Twi episode will be fitting somewhat.

That leads back to the problem we've created. Following the whole "Derpy Incident", things have cleaned up at Hasbro. If you haven't noticed, a lot of the S3 episodes start very similarly and reuse backgrounds. Generally there aren't very many background ponies to be seen. Outside of the main action there just aren't as many as S1 or S2. What you're witnessing is the post-Derpy, sterile, make-sure-not-to-offend-any-parent MLP:FiM.

There also isn't as much main character diversity. S3 has consisted of a two-part Twilight episode, Pinkie Pie episode, CMC episode, Applejack episode, Twilight/Trixie episode, CMC episode, Rainbow Dash episode, Applejack episode, Applejack-Spike episode, Fluttershy/Discord episode, and currently a Spike episode. The last is also Twilight episode as well. Twilight will have at least 4 episodes before the end of S3, with AJ having 3 episodes, CMC having 2, Spike having 2, RD, Fluttershy, and Pinkie having 1, with Rarity unlikely to have even 1 focus episode. (Though both Rarity and Rainbow Dash filled supporting roles in Sleepless in Ponyville.)

The end point is that the official MLP:FiM has degraded significantly in purely animation quality as well as portrayal of the story. M.A. Larson himself once noted (albeit in stride) that he was writing such long scripts that he was limited to 30 pages in length. I've met the guy, he's nice, charming, always laughing, and has a lovely beard. I trust he'll do his best within his limits to make the best Alicorn Twi episode possible.

This is not all bad! While the official animation quality is getting worse due to corporate greed and reputation concerns, the settings are in place for the fandom to start producing its own MLP:FiM! The pony Anthologies were just the start, as were the "Licious" series. With the coming of Double Rainboom (first full fan episode), Journey of the Spark (first full fan movie), and many other things such as the big animation section Let's Meet The Bronies on the Bronies Documentary, it is signalling a new birth of the show!

No other fandom in history has had the resources, drive, and capability that bronies have, and our access to technology might even allow us to rival in ability the huge Star Wars fandom and their endless GC lightsaber videos. Once it's been done, it's easier to do again. And with the Double Rainboom team releasing the animation puppets, more and more animators will be trained (or train themselves) and produce content. Eventually the fandom will reach a point where the official story, regardless if it continues on or not in however many official seasons, will expand into a fandom to pseudo-canon almost like the whole addition of the Expanded Universe with the Star Wars fandom.

So if you read this thinking this is going to be a whole "The Show Is Dying!" or "The Fandom Is Dying!" kind of journal entry/essay, then you're quite wrong. In fact the fandom and show are getting much, much stronger. The fandom is getting stronger because it's reaching the point of self-sustaining, similar to Star Trek and Star Wars fandoms, but a much more interesting and internet-based creative journey. The show is getting stronger because the show is whatever you feel the show really to be. When you watch any of the ponies, be it Twilight, Derpy, or Snowflake (aka 'Roid Rage), you connect with them and the story lives inside of your heart and your mind. While the images and forms of ponies were put on the screen, the true story exists only in your mind and heart alone. Storytelling is an art in which the skill is in how it sets the framework for which each mind imagines the story in its own way.

To sum it all up.
:bulletgreen: Hasbro needs to stop doing spoilers, it hurts their investment in quality writers. If they want another reproducible children's show to sell toys only, they should continue what they are currently trending towards.
:bulletred: Just because Twilight gets wings doesn't mean the world is ending. She will always be just a unicorn in your heart if you want that.
:bulletblue: The fandom is becoming self-sustaining and will eventually be able to produce content itself.
:bulletyellow: The fandom nor the show is dying. It is changing, like all things do.
:bulletorange: Give the creators credit for trying to pack a lot of material in only 13 episodes.
:bulletpink: While the season is a bit on the less-diverse side of things in terms of focus characters, Rarity did get a good number of episodes in Season 1 mind you.

To the end my fellow bronies, remember to love, to tolerate, and to Keep Calm and Brony On.

-Archive
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Well it was surely fun! I was there Friday and Saturday in St. Charles for the con. I took lots of pictures and you can find them on my profile page! So much cosplay!

Well the Writer's Panel had them talking about a lot of things (things you know and things you may not) and I'm going to post them all!

Originally/Leaks/Info
Twilight Sparkle was Twilight Twinkle
Pinkie Pie was a Pegasus pony
"Mystery on the Friendship Express" was "Marzipan on the Canterlot Express"
"The Tortoise and the Mare" was the original name for "To Find A Pet"
"The Super-Speedy Cider Squeezy 3000" was "Cider Horse Rules" but passed over because the movie "Cider House Rules" purveyed abortion.
Originally Celestia's phoenix was named Phoebe instead of Philomena
Pound Cake and Patty Cake were the names for Pound Cake and Pumpkin Cake
Applejack eating the cake in MMMystery on Friendship Express was originally supposed to not be found out, to which AJ would admit she did, but just not found out because she was sneakier than Rarity, Fluttershy, or Rainbow Dash.
Originally in "Luna Eclipsed", Rarity dyed her entire body pink but that section was cut and M.A. Larson agrees the cut was a good cut
Sweetie Belle and Scootaloo were supposed to be freaking out in "Bridle Gossip"
Non-MLP: Power Rangers footage was already shot in japan and the American version just filmed dialogue

Background
Most of the writers don't meet each other.
About 90% of the shows are written just by the writers who write them
Lauren was the really important person behind everything; the writers still use her vision
The writers like writing the songs, which they do write, in the show
The "At the Gala" is based somewhat off of Sondheim's "Everafter" from "In the Woods"
"Smile Song" was tried to have the vibe of "Sunshine" by the Brady Bunch or "Walking on Sunshine" but the tune wasn't based on anything.
Songs sometimes are inserted by the writers and sometimes writers are told to write in songs
The story editor(s) keeps things consistent throughout the show, not the writer(s)

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